MARC details
000 -LEADER |
fixed length control field |
04458cam a2200505Ia 4500 |
001 - CONTROL NUMBER |
control field |
ocn775030377 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
AE-DuAU |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20241127173637.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
120123s2012 enka bc 001 0 eng d |
015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
National bibliography number |
GBB210298 |
Source |
bnb |
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Record control number |
016020643 |
Source |
Uk |
019 ## - |
-- |
754717401 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781854378903 (pbk.) : |
Terms of availability |
35.00 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1854378902 (pbk.) : |
Terms of availability |
35.00 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)775030377 |
Canceled/invalid control number |
(OCoLC)754717401 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
UKMGB |
Transcribing agency |
UKMGB |
Modifying agency |
BDX |
-- |
IAD |
-- |
EUX |
-- |
UKWOH |
-- |
HS0 |
-- |
YDXCP |
-- |
BWK |
-- |
IAD |
-- |
VP@ |
-- |
BWX |
-- |
ZCU |
-- |
BTCTA |
-- |
ERASA |
-- |
DLM |
-- |
CDX |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
e-uk--- |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
TSAA |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N6853.P5 |
Item number |
A4 2012 |
090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (OCLC) |
Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
N 6853 .P5 |
Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
A4 2012 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Picasso, Pablo, |
Dates associated with a name |
1881-1973. |
9 (RLIN) |
38890 |
245 10 - TITLE STATEMENT |
Title |
Picasso & modern British art / |
Statement of responsibility, etc |
edited by James Beechey and Chris Stephens ; with contributions from James Beechey ... [et al.]. |
246 3# - VARYING FORM OF TITLE |
Title proper/short title |
Picasso and modern British art |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
London : |
Name of publisher, distributor, etc |
Tate Pub., |
Date of publication, distribution, etc |
2012. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
239 p. : |
Other physical details |
ill. (chiefly col.) ; |
Dimensions |
30 cm. |
336 ## - CONTENT TYPE |
Source |
rdacontent |
Content Type Term |
text |
Content Type Code |
txt |
337 ## - MEDIA TYPE |
Source |
rdamedia |
Media Type Term |
unmediated |
Media Type Code |
n |
338 ## - CARRIER TYPE |
Source |
rdacarrier |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
500 ## - GENERAL NOTE |
General note |
Published on the occasion of the exhibition at Tate Britain, London, Feb. 15-July 15, 2012, and the Scottish National Gallery of Modern Art, Aug. 4-Nov. 4, 2012. |
520 8# - SUMMARY, ETC. |
Summary, etc |
'Picasso and Modern British Art' explores an overlooked yet important aspect of Pablo Picasso's life and work: his lifelong connection with the United Kingdom. Tracing his rise in Britain, this book demonstrates that the British engagement with Picasso and his art has been much deeper and more varied than was previously understood. |
520 0# - SUMMARY, ETC. |
Summary, etc |
"Accompanying a major touring exhibition, Picasso and Modern British Art is the first book to explore Pablo Picasso's lifelong connections with the United Kingdom. Picasso's enormous impact on British modernism is examined through seven artists in particular for whom he proved an important stimulus: Duncan Grant, Wyndham Lewis, Ben Nicholson, Henry Moore, Francis Bacon, Graham Sutherland and David Hockney. Their responses to Picasso's work are wide and varied: from Francis Bacon's extraordinary Three Studies for Figures at the Base of a Crucifixion (1944) that draws from Picasso's paintings of figures on the beach at Dinard, works that Bacon said first inspired him to take up painting, to David Hockney's pictorial 'homages' to Picasso after visiting the major Picasso retrospective exhibition at Tate eight times, the beginning of a life-long obsession with the artist. Such was Picasso's status that it extended beyond the artistic to the political sphere, with the tour of his anti-Fascist work Guernica at the end of the 1930s and his presence at the Sheffield Peace Conference in 1950 making headline news."--Publisher description. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
Picasso and Britain / |
Statement of responsibility |
James Beechey -- |
Title |
The Picassos of British criticism c.1910-c.1945 / |
Statement of responsibility |
Christopher Green -- |
Title |
The politics of Picasso in Cold War Britain / |
Statement of responsibility |
Andrew Brighton -- |
Title |
Cooper's capers and their consequences for Picasso, Penrose and the Tate / |
Statement of responsibility |
John Richardson interviewed by Chris Stephens -- |
Title |
Picasso in Britain 1910-1914 / |
Statement of responsibility |
James Beechey -- |
Title |
Duncan Grant and Picasso / |
Statement of responsibility |
James Beechey -- |
Title |
Wyndham Lewis and Picasso / |
Statement of responsibility |
Richard Humphreys -- |
Title |
Picasso in Britain 1919 / |
Statement of responsibility |
James Beechey -- |
Title |
Ben Nicholson and Picasso / |
Statement of responsibility |
Christopher Green -- |
Title |
Picasso in Britain 1920-1939 / |
Statement of responsibility |
James Beechey, Patrick Elliott, Helen Little and Chris Stephens -- |
Title |
Henry Moore and Picasso / |
Statement of responsibility |
Christopher Green -- |
Title |
Francis Bacon and Picasso / |
Statement of responsibility |
Chris Stephens -- |
Title |
Picasso in Britain 1937-1939 / |
Statement of responsibility |
Helen Little -- |
Title |
Graham Sutherland and Picasso / |
Statement of responsibility |
Chris Stephens -- |
Title |
Picasso in Britain 1945-1960 / |
Statement of responsibility |
Helen Little -- |
Title |
David Hockney and Picasso / |
Statement of responsibility |
Chris Stephens -- |
Title |
The three dancers. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (p. 214-219) and index. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Picasso, Pablo, |
Dates associated with a name |
1881-1973 |
Form subdivision |
Exhibitions. |
9 (RLIN) |
38890 |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Picasso, Pablo, |
Dates associated with a name |
1881-1973 |
General subdivision |
Influence |
Form subdivision |
Exhibitions. |
9 (RLIN) |
38890 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Art, British |
Chronological subdivision |
20th century |
Form subdivision |
Exhibitions. |
9 (RLIN) |
130245 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Beechey, James, |
Dates associated with a name |
1969- |
9 (RLIN) |
72714 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Stephens, Chris. |
9 (RLIN) |
11789 |
710 2# - ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
Tate Britain (Gallery) |
9 (RLIN) |
22971 |
710 2# - ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
Scottish National Gallery of Modern Art. |
9 (RLIN) |
38479 |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
|
b |
08-07-12 |
c |
08-07-12 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Books |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
audmc |
Operator's initials, OID (RLIN) |
08-07-12 |
Cataloger's initials, CIN (RLIN) |
m |
First Date, FD (RLIN) |
a |
-- |
- |
-- |
eng |
-- |
enk |
-- |
0 |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
g |
0 |
i |
5069891 |
j |
0 |
l |
audmc |
o |
- |
p |
128.00 |
q |
- |
r |
- |
s |
- |
t |
1 |
u |
2 |
v |
0 |
w |
2 |
x |
0 |
y |
i1403881x |
z |
07-22-12 |