| 000 -LEADER | |
|---|---|
| fixed length control field | 02950cam a2200397 a 4500 |
| 001 - CONTROL NUMBER | |
| control field | ocm56835092 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | AE-DuAU |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241127174107.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 041019s2004 nyu 000 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2004051467 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 0312252110 (hc) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780312252113 (hc) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 031235262X (pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780312352622 (pbk.) |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)56835092 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DLC |
| Language of cataloging | eng |
| Transcribing agency | DLC |
| Modifying agency | C#P |
| -- | YBM |
| -- | OCL |
| -- | BAKER |
| -- | BTCTA |
| -- | YDXCP |
| -- | LF3 |
| -- | SGB |
| 049 ## - LOCAL HOLDINGS (OCLC) | |
| Holding library | TSAA |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1996 |
| Item number | .H72 2004 |
| 090 00 - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (OCLC) | |
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) | PN 1996 .H72 2004 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Howard, David, |
| Dates associated with a name | 1947- |
| 9 (RLIN) | 143142 |
| 245 10 - TITLE STATEMENT | |
| Title | How to build a great screenplay : |
| Remainder of title | a master class in storytelling for film / |
| Statement of responsibility, etc | David Howard. |
| 246 3# - VARYING FORM OF TITLE | |
| Title proper/short title | How to build a screenplay |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | New York : |
| Name of publisher, distributor, etc | St. Martin's, |
| Date of publication, distribution, etc | c2004. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xvi, 445 p. ; |
| Dimensions | 24 cm. |
| 336 ## - CONTENT TYPE | |
| Source | rdacontent |
| Content Type Term | text |
| Content Type Code | txt |
| 337 ## - MEDIA TYPE | |
| Source | rdamedia |
| Media Type Term | unmediated |
| Media Type Code | n |
| 338 ## - CARRIER TYPE | |
| Source | rdacarrier |
| Carrier Type Term | volume |
| Carrier Type Code | nc |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Story and storytelling -- The story -- The telling of the story -- Building stories -- The creation of drama -- Foundations -- Carpentry and craftsmanship -- Time and storytelling -- Basic dramatic structure -- What is drama? -- The three acts -- Sequences -- Crucial moments -- Subplots -- The classical screenplay structure -- Beyond classical dramatic structure -- The single unbreakable rule of drama -- Anything but classical screenplay structure -- The limits of classical, the beginnings of revolutionary -- How to shake up classical structure--and why -- Writing and work strategies -- Before the first draft -- The first draft -- After the first draft. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Acclaimed USC screenwriting teacher David Howard has guided hundreds of students to careers in writing for film and television. Drawing on decades of practical experience and savvy, How to Build a Great Screenplay deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. Howard eschews the "system" offered by other books, emphasizing that a great screenplay requires dozens of unique decisions by the author. He offers in-depth considerations of: characterization; story arc; plotting and subplotting; dealing with coincidence in story plotting; classical vs. revolutionary screeplay structure; tone, style, and atmosphere; the use of time on screen; the creation of drama and tension; crucial moments in storytelling. Throughout the book, Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films, including Pulp Fiction, American Beauty, Trainspotting, North by Northwest, Chinatown, and others. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Motion picture authorship. |
| 9 (RLIN) | 143143 |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) | |
| a | |
| b | 01-31-13 |
| c | 01-31-13 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Books |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) | |
| -- | audmc |
| Operator's initials, OID (RLIN) | 01-31-13 |
| Cataloger's initials, CIN (RLIN) | m |
| First Date, FD (RLIN) | a |
| -- | - |
| -- | eng |
| -- | nyu |
| -- | 0 |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) | |
| g | 0 |
| i | 5077114 |
| j | 0 |
| l | audmc |
| o | - |
| p | 0.00 |
| q | - |
| r | - |
| s | - |
| t | 1 |
| u | 1 |
| v | 2 |
| w | 1 |
| x | 0 |
| y | i14904500 |
| z | 01-31-13 |
| Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Cost, normal purchase price | Total Checkouts | Total Renewals | Full call number | Barcode | Date last seen | Date checked out | Cost, replacement price | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | American University in Dubai | American University in Dubai | Main Collection | 2013-01-31 | 0.00 | 3 | 3 | PN 1996 .H72 2004 | 5077114 | 2023-11-23 | 2018-03-08 | 0.00 | 2015-07-25 | Books |