Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Status | Barcode | |
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American University in Dubai | American University in Dubai | Reference | Reference Books | REF PN 1998.2 .H5513 2005 (Browse shelf(Opens below)) | Copy Type:02 - Reference | Not for loan | 49981 | |
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American University in Dubai | American University in Dubai | Non-fiction | Main Collection | PN 1998.2 .H553 2005 (Browse shelf(Opens below)) | Available | 5160336 |
PN 1998.2 .A174 2007 501 movie stars. | PN 1998.2 .C63 2006 Conversations with the great moviemakers of Hollywood's Golden Age at the American Film Institute / | PN 1998.2 .G74 2002 Women who run the show : how a brilliant and creative new generation of women stormed Hollywood / | PN 1998.2 .H553 2005 Encyclopedia of Arab women filmmakers / | PN 1998.3 .A45 C6513 2010 Woody Allen / | PN 1998.3 .A46 S6813 2010 Pedro Almodóvar / | PN 1998.3 .B47 S56 2007 Ingmar Bergman, cinematic philosopher : reflections on his creativity / |
Includes filmographies.
Includes bibliographical references (pages 459-468) and indexes.
Egypt -- The Mashreq: Iraq, Lebanon, Palestine, Syria, Yemen -- The Maghreb: Algeria, Morocco, Tunisia -- Other countries -- Other filmmakers.
"Arab women filmmakers: Who are they? What drives them? What are their experiences in a male-dominated profession? How do they function within the contexts - and constraints - of patriarchal societies? The answers are complex and sometimes surprising, as complex and surprising as the vastly different films these women direct. In this unprecedented book, Rebecca Hillauer assembles a comprehensive and penetrating look into the history of Arab women's filmmaking, as well as the political and social background of the countries - Egypt, Iraq, Lebanon, Syria, Algeria, among others - from which these artists emerged." "In addition to the biographies, filmographies, and discussions of their most important works, lively, in-depth interviews allow us to hear from the filmmakers themselves. Collectively, these women, who hail from a wide range of professional, religious, and social backgrounds, provide a varied and vivid picture of what it means to work in creative and journalistic fields in the modern Arab world. For Hillauer, the subject of a film, its genesis, and the personal story of the artist who created it reveal far more than a particular approach to cinematography. Arab women filmmakers and their main characters (who are often semi-autobiographical) not only afford us a look at seldom-seen facets of Arab societies, they personify an alternative women's 'model, ' one that is far removed from western cliches."--Jacket.
In English; translated from the German.
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