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My sister, guard your veil ; my brother, guard your eyes : uncensored Iranian voices / Lila Azam Zanganeh, editor.

Contributor(s): Language: English Original language: Persian, French Publication details: Boston, Mass. : Beacon Press, c2006.Description: xvi, 132 p. : ill. ; 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0807004634 (pbk. : alk. paper)
  • 9780807004630 (pbk. : alk. paper)
Subject(s): Additional physical formats: Online version:: My sister, guard your veil; my brother, guard your eyes.; Online version:: My sister, guard your veil; my brother, guard your eyes.LOC classification:
  • DS266 .M92 2006
Contents:
Introduction -- The stuff that dreams are made of / Azar Nafisi -- I grew up thinking I was White / Gelareh Asayesh -- How can one be Persian? / Marjane Satrapi -- From here to mullahcracy / Reza Aslan -- Death of a mannequin / Mehrangiz Kar -- The last chapter in the Book of Exodus / Roya Hakakian -- Women without men / a conversation with Shirin Neshat -- Sex in the time of mullahs / Azadeh Moaveni -- Misreading Kundera in Tehran / Naghmeh Zarbafian -- Receding worlds / Daryush Shayegan -- A taste of my cinema / a conversation with Abbas Kiarostami -- An alley greener than the dream of God / Babak Ebrahimian -- Don't cry for me, America / Negar Azimi -- Why acting set me free / a conversation with Shohreh Aghdashloo -- Tehran underground / Salar Abdoh.
Introduction / Lila Azam Zanganeh -- The stuff that dreams are made of / Azar Nafisi -- I grew up thinking I was white / Gelareh Asayesh -- How can one be Persian? / Marjane Satrapi -- From here to mullahcracy / Reza Aslan -- Death of a mannequin / Mehrangiz Kar -- The last chapter in the Book of Exodus / Roya Hakakian -- Women without men / Shirin Neshat -- Sex in the time of mullahs / Azadeh Moaveni -- Misreading Kundera in Tehran / Naghmeh Zarbafian -- Receding worlds / Daryush Shayegan -- A taste of my cinema / Abbas Kiarostami -- An alley greener than the dream of God / Babak Ebrahimian -- Don't cry for me, America / Negar Azimi -- Tehran underground / Salar Abdoh -- Why acting set me free / Shohreh Aghdashloo.
Summary: The brief, often breezy essays, reminiscences, reportage and interviews overturn the facile image of Iran as a single, homogenous entity, providing animated discussions of politics, sex, art, women's rights, racism, poetic culture, underground nightlife, Tehran's Jewish community, censorship, economic inequality and cross-cultural (mis)understanding under a regime that is highly oppressive but continually subverted.

Introduction -- The stuff that dreams are made of / Azar Nafisi -- I grew up thinking I was White / Gelareh Asayesh -- How can one be Persian? / Marjane Satrapi -- From here to mullahcracy / Reza Aslan -- Death of a mannequin / Mehrangiz Kar -- The last chapter in the Book of Exodus / Roya Hakakian -- Women without men / a conversation with Shirin Neshat -- Sex in the time of mullahs / Azadeh Moaveni -- Misreading Kundera in Tehran / Naghmeh Zarbafian -- Receding worlds / Daryush Shayegan -- A taste of my cinema / a conversation with Abbas Kiarostami -- An alley greener than the dream of God / Babak Ebrahimian -- Don't cry for me, America / Negar Azimi -- Why acting set me free / a conversation with Shohreh Aghdashloo -- Tehran underground / Salar Abdoh.

Introduction / Lila Azam Zanganeh -- The stuff that dreams are made of / Azar Nafisi -- I grew up thinking I was white / Gelareh Asayesh -- How can one be Persian? / Marjane Satrapi -- From here to mullahcracy / Reza Aslan -- Death of a mannequin / Mehrangiz Kar -- The last chapter in the Book of Exodus / Roya Hakakian -- Women without men / Shirin Neshat -- Sex in the time of mullahs / Azadeh Moaveni -- Misreading Kundera in Tehran / Naghmeh Zarbafian -- Receding worlds / Daryush Shayegan -- A taste of my cinema / Abbas Kiarostami -- An alley greener than the dream of God / Babak Ebrahimian -- Don't cry for me, America / Negar Azimi -- Tehran underground / Salar Abdoh -- Why acting set me free / Shohreh Aghdashloo.

The brief, often breezy essays, reminiscences, reportage and interviews overturn the facile image of Iran as a single, homogenous entity, providing animated discussions of politics, sex, art, women's rights, racism, poetic culture, underground nightlife, Tehran's Jewish community, censorship, economic inequality and cross-cultural (mis)understanding under a regime that is highly oppressive but continually subverted.

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