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Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return / Miryam Sas.
Series: Harvard East Asian monographs ; 329Publication details: Cambridge, Mass. : Harvard University Asia Center : Distributed by Harvard University Press, 2011.Description: xvii, 275 p. : ill. ; 24 cmContent type:- text
- unmediated
- volume
- 9780674053403 :
- 0674053400 :
- NX584.A1 S26 2011
Contents:
Introduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms.
| Item type | Current library | Home library | Shelving location | Call number | Status | Barcode | |
|---|---|---|---|---|---|---|---|
Books
|
American University in Dubai | American University in Dubai | Main Collection | NX 584 .A1 S26 2011 (Browse shelf(Opens below)) | Available | 5114397 |
Browsing American University in Dubai shelves, Shelving location: Main Collection Close shelf browser (Hides shelf browser)
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| NX 556 .A1 A74 1983 Art and culture in nineteenth-century Russia / | NX 573 .C65 2001 Colors of enchantment : theater, dance, music, and the visual arts of the Middle East / | NX 583 .A1 L4813 1999 The path of beauty : a study of Chinese aesthetics / | NX 584 .A1 S26 2011 Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return / | NX 600 .D3 D323 1951 The Dada painters and poets : an anthology / | NX 600 .W53 V47 1983 Art in Vienna 1898-1918 : Klimt, Kokoschka, Schiele and their contemporaries / | NX 634 .B49 2008 Beyond price : value in culture, economics, and the arts / |
Includes bibliographical references (p. [257]-266) and index.
Introduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms.
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