Normal view
MARC view
Bergson and the metaphysics of media / Stephen Crocker, Memorial University of Newfoundland.
Publication details: New York : Palgrave Macmillan, 2013.Description: vii, 185 pages ; 23 cmContent type:- text
- unmediated
- volume
- 9781137324498 :
- 113732449X :
- B2430.B43 C76 2013
Contents:
Medium as means and obstacle. Methaphysical media: the discrete and the continuous in Deleuze and McLuhan -- One or many planes: the composition of intervals in painting and film -- Sounds complicated: audition as "three-dimensional thought" -- Noise is the presence of the medium -- Killing time. Sychony and diachrony. Instrumental reason and the war on intervals -- Distracted and contemplative time -- Empty, homogenous time/any-moment-whatever -- Man falls down: unanswerable situations. Compormise formations: Bergson's vitalism -- Unanswerable situations -- Conclusion: on failure and wonder.
| Item type | Current library | Home library | Shelving location | Call number | Status | Barcode | |
|---|---|---|---|---|---|---|---|
Books
|
American University in Dubai | American University in Dubai | Main Collection | B 2430 .B43 C76 2013 (Browse shelf(Opens below)) | Available | 5115403 |
Browsing American University in Dubai shelves, Shelving location: Main Collection Close shelf browser (Hides shelf browser)
| B 2430 .A474 053 1980 One-dimensional Marxism : Althusser and the politics of culture / | B 2430 .B253 P6313 1994 The poetics of space / | B 2430 .B33973 The intelligence of evil or the lucidity pact / | B 2430 .B43 C76 2013 Bergson and the metaphysics of media / | B 2430 .D45 S56 2015 The invention of a people : Heidegger and Deleuze on art and the political / | B 2430 .D452 S4513 2007 Two regimes of madness : texts and interviews, 1975-1995 / | B 2430 .D454 A88 2015 At the edges of thought : Deleuze and post-Kantian philosophy / |
Includes bibliographical references and index.
Medium as means and obstacle. Methaphysical media: the discrete and the continuous in Deleuze and McLuhan -- One or many planes: the composition of intervals in painting and film -- Sounds complicated: audition as "three-dimensional thought" -- Noise is the presence of the medium -- Killing time. Sychony and diachrony. Instrumental reason and the war on intervals -- Distracted and contemplative time -- Empty, homogenous time/any-moment-whatever -- Man falls down: unanswerable situations. Compormise formations: Bergson's vitalism -- Unanswerable situations -- Conclusion: on failure and wonder.
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