Originally released as a motion picture by al-Muttaḥidah lil-Sīnimā, al-Qāhirah, 1973.

Muhandis al-ṣawt Ḥasan al-Tūnī ; al-mūsīqá al-taṣwīrīyah Fuʼād al-Ẓāhirī ; mudīr al-taṣwīr ʻAbd al-Munʻim Bahnasī.

Yaḥyá Shāhīn, Mīrvat Amīn, Nūr al-Sharīf.

A dramatic work. It's the third part of Najīb Maḥfūẓ's triple fiction (Bayna al-qaṣrayn, Qaṣr al-Shawq, and al-Sukkarīyah). The lights upon al-Sayyid ʻAbd al-Jawwād's family the second and the third generations. It exposed the political and social changes and the effects on his grandsons and granddaughters. While his youngest son Kamal lived in a romantic way. He tried to fined the truth through his romanticizm. The end of this work didn't end by the death of al-Sayyid ʻAbd al-Jawwad but the life continued through the birth of his last grandson.