Normal view
MARC view
Italian film in the light of neorealism / Millicent Marcus.
Publication details: Princeton, N.J. : Princeton University Press, 1986.Description: xix, 443 pages : illustrations ; 23 cmContent type:- text
- unmediated
- volume
- 0691054894
- 9780691054896
- 0691102082
- 9780691102085
- Geschichte 1945-1982
- Motion pictures -- Italy
- Realism in motion pictures
- Filmkunst
- Neorealisme
- Cinéma -- Italie -- Histoire
- Réalisme au cinéma
- Motion pictures
- Realism in motion pictures
- Film
- Neorealismus
- Filmkunst
- Neorealisme
- Film
- Italy
- Italien
- Italian neorealist cinema films, 1945-1982 - Critical studies
- PN1993.5.I88 M28 1986
Contents:
Rossellini's Open city : the founding -- De Sica's Bicycle thief : casting shadows on the visionary city -- De Santis's Bitter rice : a neorealist hybrid -- De Sica's Umberto D : dark victory for neorealism -- Comencini's Bread, love, and fantasy : consumable realism -- Fellini's La strada : transcending neorealism -- Visconti's Senso : the Risorgimento according to Gramsci -- Antonioni's Red desert : abstraction as the guiding idea -- Olmi's Il posto : discrediting the economic miracle -- Germi's Seduced and abandoned : inside the honor code -- Pasolini's Teorema : the halfway revolution -- Petri's Investigation of a citizen above suspicion : power as pathology -- Bertolucci's The conformist : a morals charge -- Wertmuller's Love and anarchy : the high price of commitment -- Rosi's Christ stopped at Eboli : a tale of two Italies -- The Taviani brothers' Night of the shooting stars : ambivalent tribute to neorealism -- Scola's We all loved each other so much : an epilogue.
| Item type | Current library | Home library | Collection | Shelving location | Call number | Status | Barcode | |
|---|---|---|---|---|---|---|---|---|
Books
|
American University in Dubai | American University in Dubai | Non-fiction | Main Collection | PN 1993.5 .I88 M28 1986 (Browse shelf(Opens below)) | Available | 5166553 |
Browsing American University in Dubai shelves, Shelving location: Main Collection Close shelf browser (Hides shelf browser)
| PN 1993.5 .I846 S24 2006 Iranian cinema : a political history / | PN 1993.5 .I846 S54 2011 The poetics of Iranian cinema : aesthetics, modernity and film after the revolution / | PN 1993.5 .I846 Z49 2010 The politics of Iranian cinema : film and society in the Islamic Republic / | PN 1993.5 .I88 M28 1986 Italian film in the light of neorealism / | PN 1993.5 .J3 B8 1979b To the distant observer : form and meaning in the Japanese cinema / | PN 1993.5 .J3 M47 2005 The Midnight Eye guide to new Japanese film / | PN 1993.5 .J3 R47115 2012 A hundred years of japanese film : a concise history,with a selective guide to DVDs and videos / |
Includes bibliographical references (pages 423-436) and index.
Rossellini's Open city : the founding -- De Sica's Bicycle thief : casting shadows on the visionary city -- De Santis's Bitter rice : a neorealist hybrid -- De Sica's Umberto D : dark victory for neorealism -- Comencini's Bread, love, and fantasy : consumable realism -- Fellini's La strada : transcending neorealism -- Visconti's Senso : the Risorgimento according to Gramsci -- Antonioni's Red desert : abstraction as the guiding idea -- Olmi's Il posto : discrediting the economic miracle -- Germi's Seduced and abandoned : inside the honor code -- Pasolini's Teorema : the halfway revolution -- Petri's Investigation of a citizen above suspicion : power as pathology -- Bertolucci's The conformist : a morals charge -- Wertmuller's Love and anarchy : the high price of commitment -- Rosi's Christ stopped at Eboli : a tale of two Italies -- The Taviani brothers' Night of the shooting stars : ambivalent tribute to neorealism -- Scola's We all loved each other so much : an epilogue.
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