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Chinese Brushwork in Calligraphy and Painting : Its History, Aesthetics, and Techniques.

By: Series: Dover Fine Art, History of ArtPublisher: New York : Dover Publications, 1990Copyright date: ©2012Description: 1 online resource (443 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780486138169
Subject(s): Genre/Form: Additional physical formats: Print version:: Chinese Brushwork in Calligraphy and Painting : Its History, Aesthetics, and TechniquesLOC classification:
  • ND 1457 .C53
Online resources:
Contents:
Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Preface -- Map of Ancient China -- Part One The Historical Development of the Art of Brushwork -- Chapter One Archaic Period -- Neolithic Designs -- Hsiang Hsing Wen Tze or Ideograms -- Chapter Two Germinant Period -- Shell and Bone Style -- Greater Chuan -- Chapter Three Ripening Period -- Lesser Chuan: Seal Style -- Li -- Chang Tsao -- Chapter Four Flourishing Period -- Kai -- Hsing -- Tsao or Grass -- Part Two Aesthetics of Brushwork -- Chapter Five Aesthetic Roots -- Taoism -- Confucianism -- Buddhism -- Chapter Six Aesthetic Components -- Form -- Line -- Space-Consciousness -- Composition -- Chapter Seven Aesthetic Standards -- Ch'i Yuen -- Ya and Su -- Sheng and Shu -- Chiao and Chuo -- Shu Chuan Ch'i or Literary Flavor -- Chung and Da -- Brushwork and Ink -- Chapter Eight Styles in Painting and Calligraphy -- Painting -- Calligraphy -- A Survey of Styles -- Part Three The Techniques of Chinese Brushwork -- Chapter Nine The Tools of Brushwork -- The Brush -- The Paper -- The Ink -- The Inkstone -- The Study -- Chapter Ten Holding the Brush -- Chapter Eleven Body Movement in Using the Brush -- Chapter Twelve Three Fundamental Principles of Brushwork -- Moisture -- Pressure -- Speed -- Chapter Thirteen Two Major Angles of the Brush -- Position Angle -- Moving Angle -- Chapter Fourteen The Principal Brush Strokes and Their Application in Painting and Calligraphy -- Center Brush, Chung Feng -- Pulling Brush, Tuo Pi -- Point Brush, Chien Pi -- Side Brush, Pian Feng -- Dry Brush, Ku Pi -- Split Brush, Po Pi -- Turning And Folding Brush -- Chapter Fifteen Principal Ways of Using the Ink -- Side-Ink, Pien Mo -- Po'mo or Wash -- Po Mo or Layers of Ink -- Mo Gu or Non-Bone Treatment -- Chapter Sixteen Pi Li, or Strength of the Line -- ELASTICITY.
The Role of the Seal (Yin) in Painting and Calligraphy -- Conclusion -- Appendix: Chronological Charts -- I. Chronological Periods -- II. Chronological Table of Calligraphic Styles -- III. Chronological Table Of Dominant Painting Subjects -- Major Terms Found in the Text -- Bibliography -- Index.
Summary: Comprehensive volume traces historical development of techniques and styles evolved by Chinese masters since the 14th century, analyzes aesthetic concepts, and provides information on materials, technical principles, and brush strokes.
Holdings
Item type Current library Home library Call number Status
eBooks eBooks American University in Dubai American University in Dubai ND 1457 .C53 2012 (Browse shelf(Opens below)) Available

Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Preface -- Map of Ancient China -- Part One The Historical Development of the Art of Brushwork -- Chapter One Archaic Period -- Neolithic Designs -- Hsiang Hsing Wen Tze or Ideograms -- Chapter Two Germinant Period -- Shell and Bone Style -- Greater Chuan -- Chapter Three Ripening Period -- Lesser Chuan: Seal Style -- Li -- Chang Tsao -- Chapter Four Flourishing Period -- Kai -- Hsing -- Tsao or Grass -- Part Two Aesthetics of Brushwork -- Chapter Five Aesthetic Roots -- Taoism -- Confucianism -- Buddhism -- Chapter Six Aesthetic Components -- Form -- Line -- Space-Consciousness -- Composition -- Chapter Seven Aesthetic Standards -- Ch'i Yuen -- Ya and Su -- Sheng and Shu -- Chiao and Chuo -- Shu Chuan Ch'i or Literary Flavor -- Chung and Da -- Brushwork and Ink -- Chapter Eight Styles in Painting and Calligraphy -- Painting -- Calligraphy -- A Survey of Styles -- Part Three The Techniques of Chinese Brushwork -- Chapter Nine The Tools of Brushwork -- The Brush -- The Paper -- The Ink -- The Inkstone -- The Study -- Chapter Ten Holding the Brush -- Chapter Eleven Body Movement in Using the Brush -- Chapter Twelve Three Fundamental Principles of Brushwork -- Moisture -- Pressure -- Speed -- Chapter Thirteen Two Major Angles of the Brush -- Position Angle -- Moving Angle -- Chapter Fourteen The Principal Brush Strokes and Their Application in Painting and Calligraphy -- Center Brush, Chung Feng -- Pulling Brush, Tuo Pi -- Point Brush, Chien Pi -- Side Brush, Pian Feng -- Dry Brush, Ku Pi -- Split Brush, Po Pi -- Turning And Folding Brush -- Chapter Fifteen Principal Ways of Using the Ink -- Side-Ink, Pien Mo -- Po'mo or Wash -- Po Mo or Layers of Ink -- Mo Gu or Non-Bone Treatment -- Chapter Sixteen Pi Li, or Strength of the Line -- ELASTICITY.

The Role of the Seal (Yin) in Painting and Calligraphy -- Conclusion -- Appendix: Chronological Charts -- I. Chronological Periods -- II. Chronological Table of Calligraphic Styles -- III. Chronological Table Of Dominant Painting Subjects -- Major Terms Found in the Text -- Bibliography -- Index.

Comprehensive volume traces historical development of techniques and styles evolved by Chinese masters since the 14th century, analyzes aesthetic concepts, and provides information on materials, technical principles, and brush strokes.

Electronic reproduction

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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