Item type | Current library | Home library | Shelving location | Call number | Materials specified | Status | Barcode | |
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American University in Dubai | American University in Dubai | Main Collection | N 7401 .M65 1998 (Browse shelf(Opens below)) | Copy Type:01 - Books | Available | 607325 |
No cover image available | ||||||||
N 7396 .K45 A35 1999 William Kentridge / | N 7399.7 .D36 1998 Arts of the Pacific islands / | N 7401 .C37 2012 Aboriginal art / | N 7401 .M65 1998 Aboriginal art / | N 7410 .K35 2008 The Pacific arts of Polynesia and Micronesia / | N 7414.8 .P37 M87 1999 The spiral, the hand and the ménorah : museum of Jewish art and history in Paris : the visual identity / | N 7425 .D47 1964 Basic design; the dynamics of visual form |
Cover title.
Includes bibliographical references (p. 434-439) and index.
Aboriginal art has survived the colonial period to become a major feature of contemporary Australian society. Howard Morphy, one of the world's foremost authorities in this field, surveys the great variety in Aboriginal art, from ancient rock paintings to powerful modern works in acrylic on canvas. The patterns and symbols of Aboriginal art, though they may at first appear abstract, are laden with meaning. Morphy explains the social contexts in which art is made and its religious significance.
This is the first book on Aboriginal art to use a contextual approach to show the interrelationships between such diverse art forms as body painting, dance, the decoration of weapons and utensils, and painting on bark, board and canvas. The text is illustrated with outstanding examples, many published here for the first time. Today, Aboriginal art is seen as an expression of Aboriginal history, culture and identity. Howard Morphy's clear, insightful text explains why its international audience is growing.
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