Item type | Current library | Home library | Shelving location | Call number | Materials specified | Status | Barcode | |
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American University in Dubai | American University in Dubai | Main Collection | TR 653 .L35 1995 (Browse shelf(Opens below)) | Copy Type:01 - Books | Available | 607333 |
TR 653 .G3 1995 Cecil Beaton : photographs 1920-1970 / | TR 653 .K34 2008 The wonderful world of Albert Kahn : colour photographs from a lost age / | TR 653 .K4646 1994 Andre Kertesz / | TR 653 .L35 1995 Dorothea Lange : photographs of a lifetime / | TR 653 .M48 2010 Stieglitz, Steichen, Strand : masterworks from the Metropolitan Museum of Art / | TR 653 .R46313 1998 Albert Renger-Patzsch : photographer of objectivity / | TR 653 .R67 2004 Jaroslav Rössler : czech avant-garde photographer / |
Reprint. Originally published: 1982.
"An Aperture monograph."
Includes bibliographical references (p. 180-182).
Throughout her long working life, Dorothea Lange was an exceptional, often brilliant photographer. In the historic decade of the thirties, she was more - a pioneer, a shaper of the medium, and a motivator of the national conscience. Lange's direct, compelling studies of people forced from the land are both a faithful chronicle and a landmark of twentieth-century photography. In her later years, she brought this unique vision to rural communities as diverse as the Mormons of Utah, the countryfolk of Ireland, the fellaheen of Egypt. Dorothea Lange: Photographs of a Lifetime is the most comprehensive collection of the artist's work ever to be published. It begins with portraits from her early years, when she was San Francisco's most fashionable studio photographer, and it concludes with images from her final years, when Lange traveled the globe, then, finally, turned her lens toward children and grandchildren, home, and the familiar objects and events of her daily life. In a penetrating critical biography, Pulitzer Prize-winning author Robert Coles offers an incisive study of Lange's life and work. As one of the great contemporary social investigators, Coles explores in Lange's methods and accomplishments those qualities that enable the "artist-observer" to satisfy the objectivity expected of chroniclers and the subjective emotional involvement of the artist's personal vision. Accompanying the photographs are Lange's own reminiscences and observations, collected from her writings and from interviews made shortly before her death in 1965.
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