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Photography and its origins / edited by Tanya Sheehan and Andrés Mario Zervigón.

Contributor(s): Publisher: London ; New York : Routledge, 2015Description: xv, 237 pages : illustrations (color); 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780415722902 (pbk)
  • 041572290X (pbk)
  • 9780415722896 (hbk)
  • 0415722896 (hbk)
Subject(s): Genre/Form: LOC classification:
  • TR15 .P479 2015
Contents:
PART I. Rethinking first photograph(er)s -- 1. A sensational story: Helmut Gernsheim and "the world's first photograph" -- 2. What's wrong with Daguerre? -- 3.Omphaloskeptical? On Daguerre, smoke drawing, finger painting, and photography -- 4. The past through the looking glass -- PART II. Multiplying beginnings -- 5. Origins without end -- 6. Notes towards new accounts of photography's invention -- 7. Against photographic exceptionalism -- 8. Sacred stories: photography's indigenous origins -- 9. Seeing ourselves as others see us: Frederick Douglass's reflections on daguerreotypy and racial difference -- PART III. Writing (trans)national histories -- 10. "An American sun shines brighter," or, photography was (not) invented in the United States -- 11. The Bertoloni Album: rethinking photography's national identity -- 12. Photography and its Chinese origins -- 13. Looking into the past and present: the origins of photography in Africa -- PART IV. Tracing scientific origins -- 14. Self-reflections: the nature of Sir Humphry Davy's photographic "failures" -- 15. Natural/mechanical: keywords in the conception of early photography -- 16. A note on the science of photography: reconsidering the invention story.
Holdings
Item type Current library Home library Collection Shelving location Call number Status Barcode
Books Books American University in Dubai American University in Dubai Non-fiction Main Collection TR 15 .P479 2015 (Browse shelf(Opens below)) Available 5123500

Includes bibliographical references and index.

PART I. Rethinking first photograph(er)s -- 1. A sensational story: Helmut Gernsheim and "the world's first photograph" -- 2. What's wrong with Daguerre? -- 3.Omphaloskeptical? On Daguerre, smoke drawing, finger painting, and photography -- 4. The past through the looking glass -- PART II. Multiplying beginnings -- 5. Origins without end -- 6. Notes towards new accounts of photography's invention -- 7. Against photographic exceptionalism -- 8. Sacred stories: photography's indigenous origins -- 9. Seeing ourselves as others see us: Frederick Douglass's reflections on daguerreotypy and racial difference -- PART III. Writing (trans)national histories -- 10. "An American sun shines brighter," or, photography was (not) invented in the United States -- 11. The Bertoloni Album: rethinking photography's national identity -- 12. Photography and its Chinese origins -- 13. Looking into the past and present: the origins of photography in Africa -- PART IV. Tracing scientific origins -- 14. Self-reflections: the nature of Sir Humphry Davy's photographic "failures" -- 15. Natural/mechanical: keywords in the conception of early photography -- 16. A note on the science of photography: reconsidering the invention story.

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