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069 _a06545665
090 _aN 72 .S6 S78 2001
090 _aN 72 .S6 S78 2001
100 1 _aSturken, Marita,
_d1957-
_976675
245 1 0 _aPractices of looking :
_ban introduction to visual culture /
_cMarita Sturken and Lisa Cartwright.
260 _aOxford ; New York :
_bOxford University Press,
_cc2001.
300 _a385 p.
_b:ill. ;
_c25 cm.
336 _2rdacontent
_atext
_btxt
337 _2rdamedia
_aunmediated
_bn
338 _2rdacarrier
_avolume
_bnc
504 _aIncludes bibliographical references and index.
505 0 _aPractices of Looking: Images, Power, and Politics -- Representation -- The myth of photographic truth -- Images and ideology -- How we negotiate the meaning of images -- The value of images -- Image icons -- Viewers Make Meaning -- Producers' intended meanings -- Aesthetics and taste -- Reading images as ideological subjects -- Encoding and decoding -- Appropriation and oppositional readings -- Re-appropriations and counter-bricolage -- Spectatorship, Power, and Knowledge -- Psychoanalysis and the image spectator -- The gaze -- Changing concepts of the gaze -- Discourse, the gaze, and the other -- Power/knowledge and panopticism -- The gaze and the exotic -- Reproduction and Visual Technologies -- Realism and the history of perspective -- Realism and visual technologies -- The reproduction of images -- Reproduced images as politics -- Visual technologies and phenomenology -- The digital image -- Virtual space and interactive images -- The Mass Media and the Public Sphere -- Critiques of the mass media -- The mass media and democratic potential -- Television and the question of sponsorship -- Media and the public sphere -- New media cultures -- Consumer Culture and the Manufacturing of Desire -- Consumer society -- Commodity culture and commodity fetishism -- Addressing the consumer -- Images and text -- Envy, desire, and glamour -- Belonging and difference -- Bricolage and counter-bricolage -- The brand -- Anti-ad practices -- Postmodernism and Popular Culture -- Modernism -- Postmodernism -- Reflexivity -- The copy, pastiche, and institutional critique -- Popular culture: parody and reflexivity -- Addressing the postmodern consumer -- Scientific Looking, Looking at Science -- Images as evidence -- Scientific looking -- Images in biomedicine: sonograms and fetal personhood -- Scientific images as advocacy and politics -- Vision and truth -- Genetics and the digital body -- Popular science -- The Global Flow of Visual Culture -- Television flow: from the local to the global -- The critique of cultural imperialism -- Markets of the Third World -- Alternative circulations: hybrid and diasporic images -- The Internet: global village or multinational corporate marketplace? -- The World Wide Web as private and public sphere -- The challenge of the Internet to privacy, censorship, and free speech -- The place of the visual in the new millennium.
520 _aThis comprehensive and engaging introduction to visual culture explores the ways we use and understand images. It looks at painting, photography, film, television, and new media across the realms of art, advertising, news, science, and law. Authors Marita Sturken and Lisa Cartwright present the diverse range of approaches to visual analysis that have emerged in the last few decades, and lead the reader through the key theories of visual culture in an accessible and highly readable approach.
520 8 _aIncluding over 180 images, this truly interdisciplinary and beautifully designed book aims to be a comprehensive introduction for anyone interested in images, and the key text for courses across a range of disciplines including media and film studies, art history, photography, and communication.
650 0 _aArt and society.
_976676
650 0 _aCulture.
_976677
650 0 _aVisual perception.
_976678
650 0 _aVisual communication.
_976679
650 0 _aPopular culture.
_976680
650 0 _aCommunication and culture.
_976681
700 1 _aCartwright, Lisa,
_d1959-
_926450
852 _9p37.95
_y02-28-2004
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_da
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905 _aMarita Sturken is Associate Professor at the Annenberg School for Communication at the University of Southern California
905 _aLisa Cartwright is Associate Professor of English and of Visual and Cultural Studies, and Director of the Susan B. Anthony Institute for Gender and Women's Studies at the University of Rochester
935 _aQ/R 12771-OCT 2
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