000			02276cam a22003615 4500
001			bk0002283219
003			AE-DuAU
005			20241127165522.0
007			ta
008			050916s1993 xx eng d
020			_a0714827436 (pbk.) : _c9.95
040			_aBaker & Taylor
069			_a08671808
090			_aND 653 .R4 K55 1992
100	1		_aKitson, Michael. _9177957
245	1	0	_aRembrandt / _cMichael Kitson.
250			_a3rd ed.
260			_bPhaidon, _c199. _aLondon :
300			_a49 p. _c30 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
440		0	_aPhaidon colour library. _9177958
520		0	_aRembrandt Harmensz van Rijn (1606-69) was one of the greatest painters of all time. However, considerable controversy has grown up around the body of work that can unequivocally be attributed to him. When Cornelis Hofstede de Groot published his pioneering catalogue of 1913 he numbered Rembrandt's oeuvre at 988, but the Rembrandt Research Project, founded in 1968, has now whittled the tally down to less than 150. In this film the latest techniques of authentication are applied to works said to be by the Master. His painting and etching techniques are appraised and analysed using on-screen diagrams and comparisons with the work of other artists to highlight Rembrandt's own methods and determine the work of apprentices or copyists. Perceptions of Rembrandt have changed over the centuries, and alongside the more technical examination of his work the various views of the artist himself throughout the ages are also appraised. As well as being a fascinating study of modern scientific techniques, this film presents a comprehensive art-historical view of Rembrandt's work and a reaffirmation of his genius.
600	0	0	_aRembrandt Harmenszoon van Rijn, _d1606-1669. _938205
852			_9p9.95 _y04-09-2005
907			_a18267 _b08-06-10 _c08-06-10
942			_cBOOK _01
998			_aaudmc _b04-09-05 _cm _da _e- _feng _gxx _h0
935			_aPO16959%5FBUS%5F1
945			_g0 _i660217 _j0 _laudmc _nCopy Type:01 - Books _o- _p36.57 _q- _r- _s- _t1 _u1 _v0 _w1 _x0 _yi10247245 _z08-06-10
999			_c18267 _d18267