000			01853cam a2200397 a 4500
001			35584
003			AE-DuAU
005			20241127173430.0
008			091013s2010 mauaf b 001 0 eng
010			_a 2009042901
015			_aGBB078015 _2bnb
016	7		_a015588775 _2Uk
020			_a9780262014212 (hardcover : alk. paper)
020			_a0262014211 (hardcover : alk. paper)
040			_aJASH
050	0	0	_aNX456.5.N49 _bM37 2010
090			_aNX 456.5 .N49 M37 2010
100	1		_aMarks, Laura U., _d1963- _915980
245	1	0	_aEnfoldment and infinity : _ban Islamic genealogy of new media art / _cLaura U. Marks.
260			_aCambridge, Mass. : _bMIT Press, _cc2010.
300			_ax, 395 p., [16] p. of plates : _bill. (some col.) ; _c24 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
490	1		_aLeonardo
504			_aIncludes bibliographical references and index.
505	0		_aGetting things unfolded -- Islamic aesthetics and new media art: points of contact -- The haptic transfer and the travels of the abstract line, part I -- The haptic transfer and the travels of the abstract line, part II -- The haptic transfer and the travels of the abstract line, part III -- Baghdad, 830: birth of the algorithm -- Baghdad, 1000: origin of the pixel -- Cairo, 972: ancestor of the morph -- Herat, 1487: early virtual reality -- Karabagh, 1700: seeds of artificial life.
650		0	_aNew media art. _9121998
650		0	_aIslam and art. _9122000
650		0	_aAesthetics, Arab. _9122001
830		0	_aLeonardo (Series) (Cambridge, Mass.) _9122002
907			_a35584 _b05-20-12 _c05-15-12
942			_cBOOK _00
998			_aaudmc _b05-15-12 _cm _da _e- _feng _gmau _h0
945			_g0 _i5057252 _j0 _laudmc _o- _p160.00 _q- _r- _s- _t1 _u0 _v0 _w0 _x0 _yi13105450 _z05-15-12
999			_c35584 _d35584