000			02036cam a2200421 a 4500
001			ocn711050790
003			AE-DuAU
005			20241127174103.0
008			110402s2011 enka b 001 0 eng c
016	7		_a015814495 _2Uk
020			_a9781861898500 : _c55.00
020			_a1861898509 : _c55.00
035			_a(OCoLC)711050790
040			_aBTCTA _beng _cBTCTA _dERASA _dYDXCP _dUKMGB _dCDX _dNLE _dFXM _dBWX _dVP@ _dPUL _dYBM _dTXI
042			_apcc
049			_aTSAA
050		4	_aN8790 _b.L46 2011
090			_aN 8790 .L46 2011
090			_aN 8790 .L46 2011
100	1		_aLenain, Thierry. _9142926
245	1	0	_aArt forgery : _bthe history of a modern obsession / _cThierry Lenain.
246	3	0	_aHistory of a modern obsession
260			_aLondon : _bReaktion Books, _c2011.
300			_a383 p. : _bill. ; _c24 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
504			_aIncludes bibliographical references (p. 363-375) and index.
520			_aIn this volume, Thierry Lenain charts the changing status of art forgery from the time of its appearance in the Renaissance--when it was initially hailed as a true artistic feat--to its condemnation as the art crime par excellence. Rather than suggesting new methods of detection, it offers a genealogy of faking, along with an examination of the anxious, even neurotic reactions triggered in the modern world by its occurrence.
505	0		_aThe symptoms of an obsession -- Before the age of art forgery -- Before the age of the obsession with art forgery -- Art forgery as the connoisseur's nightmare -- Conclusion: Fakes and the end of the world.
650		0	_aArt _xForgeries _xHistory. _9142928
650		0	_aPictures _xCopying _xHistory. _9142930
650		0	_aArt _xExpertising. _9142932
907			_a37939 _b01-23-13 _c01-23-13
942			_cBOOK _00
998			_aaudmc _b01-23-13 _cm _da _e- _feng _genk _h0
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999			_c37939 _d37939