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008			161209s2017 inu o 000 0 eng d
010			_a 2016045756
020			_z0253026857
020			_z9780253026859
020			_a9780253026903
020			_a0253026903
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020			_z9780253026347
035			_a(OCoLC)1154858897
040			_aUKSSU _beng _cUKSSU _dOCLCO _dOCLCF _dUKAHL _dOCLCO _dOCLCQ _dOCLCO
050	0	0	_aPN1995.9.D6N539 2017
090			_aPN1995.9.D6N539 2017
100	1		_aNichols, Bill, _d1942- _eauthor. _9201781
245	1	0	_aIntroduction to Documentary, Third Edition _cBill Nichols.
250			_aThird edition.
264		1	_aBloomington, Indiana : _bIndiana University Press, _c[2017].
264		4	_c2017
300			_axvi; 278 pages : _bIncluding index and illustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.
520			_aThe third edition of Bill Nichols's text provides an up-to-date introduction to the most important issues in documentary history and criticism. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction and includes an example of a project proposal for a film that went on to win awards at major festivals. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the genre's distinguishing qualities and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Here Nichols has fully rewritten each chapter for greater clarity and ease of use, including revised discussions of earlier films and new commentary on dozens of recent films from The Cove to The Act of Killing and from Gasland to Restrepo. -- Publisher.
650		0	_aDocumentary films _xHistory and criticism. _9201782
650		6	_aDocumentaires _xHistoire et critique. _9201783
650		7	_aDocumentary films _2fast _9201784
655		7	_aCriticism, interpretation, etc. _2fast _9201785
856	4	0	_uhttps://catalogue.solent.ac.uk/openurl/44SSU_INST/44SSU_INST:VU1?u.ignore_date_coverage=true&rft.mms_id=9997110813304796 _zEBSCOhost _aAvailable _p5341958290004796
856	4	0	_uhttp://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9780253026903
942			_2lcc _cBOOK
948			_hNO HOLDINGS IN TSAUD - 11 OTHER HOLDINGS
999			_c52270 _d52270
907			_a52270