000			03121cam a2200433 a 4500
001			96052338
003			AE-DuAU
005			20241127163427.0
008			050916s1997 nyua bc 000 0 eng
010			_a 96052338
020			_a0520212576 (University of California : cloth)
020			_a0520212584 (Univeristy of California : pbk.)
020			_a087427107X (Whitney Museum of American Art : alk. paper)
040			_aDLC _cDLC _dDLC
050	0	0	_aN6537.D447 _bA4 1997
090			_aN 6537 .D447A4 1997
100	1		_aLivingston, Jane. _937605
245	1	4	_aThe art of Richard Diebenkorn / _cJane Livingston ; with essays by John Elderfield, Ruth Fine, and Jane Livingston.
260			_aNew York : _bWhitney Museum of American Art ; _aBerkeley : _bUniversity of California Press, _cc1997.
300			_a276 p. : _bill. (chiefly col.) ; _c32 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
500			_aExhibition held at the Whitney Museum of American Art on Oct. 9, 1997-Jan.11, 1998, and others.
504			_aIncludes bibliographical references (p. 267-270).
520		0	_aRecognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California but whose work is beloved throughout the United States and the rest of the world. Published to coincide with the first retrospective of Diebenkorn's work since his death in 1993, this catalog will be the most comprehensive volume on the artist now available.
520	8	0	_aJane Livingston's extensively researched biographical essay covers Diebenkorn's entire career and concentrates on the artist's inner life and purposes as revealed in his paintings. Ruth Fine deals primarily with the figurative aspect of Diebenkorn's work (1955-67), and John Elderfield concentrates on the Ocean Park period (1967-93). All three authors provide valuable insights based on their personal relationships with the artist and his widow, Phyllis. On both page and canvas, the reader can sense Diebenkorn's complexity and highly selfconscious working methods, as well as his formidable integrity.
520	8	0	_aThe Art of Richard Diebenkorn will give readers with an interest in all phases of modernism new thoughts about the relationship between abstraction and representation. Stunningly illustrated, with 192 full-color reproductions, this book is an exhilarating testament to a distinctive American artist.
600	1	0	_aDiebenkorn, Richard, _d1922- _vExhibitions. _956533
600	1	0	_aDiebenkorn, Richard, _d1922- _xCriticism and interpretation. _956534
700	1		_aDiebenkorn, Richard, _d1922- _956535
700	1		_aElderfield, John. _956536
710	2		_aWhitney Museum of American Art. _948281
852			_y07-19-1998
907			_a7057 _b08-12-10 _c08-06-10
942			_cBOOK _00
998			_aaudmc _b07-19-98 _cm _da _e- _feng _gnyu _h4
945			_g0 _i40554 _j0 _laudmc _nCopy Type:01 - Books _o- _p0.00 _q- _r- _s- _t1 _u0 _v0 _w0 _x0 _yi10103004 _z08-06-10
999			_c7057 _d7057