| 000 | 01870cam a2200397 a 4500 | ||
|---|---|---|---|
| 001 | 95038743 | ||
| 003 | AE-DuAU | ||
| 005 | 20241127163443.0 | ||
| 008 | 050915s1996 enka b 001 0 eng | ||
| 010 | _a 95038743 | ||
| 020 |
_a0415111587 (pbk.) : _c17.99 |
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| 040 |
_aDLC _cDLC _dDLC |
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| 050 | 0 | 0 |
_aGT511 _b.B36 1996 |
| 069 | _a09482454 | ||
| 090 | _aGT 511 .B36 1996 | ||
| 100 | 1 |
_aBarnard, Malcolm, _d1958- _939117 |
|
| 245 | 1 | 0 |
_aFashion as communication / _cMalcolm Barnard. |
| 260 |
_aLondon ; _aNew York : _bRoutledge, _c1996. |
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| 300 |
_aix, 186 p. : _bill. ; _c24 cm. |
||
| 336 |
_2rdacontent _atext _btxt |
||
| 337 |
_2rdamedia _aunmediated _bn |
||
| 338 |
_2rdacarrier _avolume _bnc |
||
| 504 | _aIncludes bibliographical references (p. 176-182) and index. | ||
| 520 | 0 | _aThis interdisciplinary work clearly analyses how fashion and clothing have been understood as modern and post modern phenomena. Drawing on the theoretical approaches to culture, in particular those of Simmel, Derrida, Baudrillard and Jameson, the author assesses the consequences of post modernism for fashion as a mode of communication. Concepts such as class, gender, reproduction and resistance are explored in a clear and concise manner and further reading on each subject is detailed. | |
| 650 | 0 |
_aCostume _xSocial aspects. _934940 |
|
| 650 | 0 |
_aFashion _xSocial aspects. _957047 |
|
| 650 | 0 |
_aCostume _xSex differences. _934940 |
|
| 650 | 0 |
_aCostume _xPsychological aspects. _934940 |
|
| 852 |
_9p17.99 _y12-13-1998 |
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| 907 |
_a7246 _b08-06-10 _c08-06-10 |
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| 942 |
_cBOOK _00 |
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| 998 |
_aaudmc _b12-13-98 _cm _da _e- _feng _genk _h0 |
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| 935 | _a08/05/98 | ||
| 945 |
_g0 _i603431 _j0 _laudmc _nCopy Type:01 - Books _o- _p66.11 _q- _r- _s- _t1 _u0 _v0 _w0 _x0 _yi10105827 _z08-06-10 |
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| 999 |
_c7246 _d7246 |
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