| 000 | 01685nam a2200313 4500 | ||
|---|---|---|---|
| 001 | 67085340 | ||
| 003 | AE-DuAU | ||
| 005 | 20241127163643.0 | ||
| 008 | 050915s1966 enkcf b 00000beng | ||
| 010 | _a 67085340 | ||
| 015 | _aB66-449 | ||
| 050 | 0 |
_aPR2976 _b.L26 |
|
| 090 | _aPR 2976 .L26 1966 | ||
| 245 | 1 | 0 | _aLater Shakespeare / |
| 260 |
_aLondon : _bEdward Arnold, _c1966. |
||
| 300 |
_a264 p. _b4 plates (incl. ports.) _c22 1/2 cm. |
||
| 336 |
_2rdacontent _atext _btxt |
||
| 337 |
_2rdamedia _aunmediated _bn |
||
| 338 |
_2rdacarrier _avolume _bnc |
||
| 440 | 0 |
_aStratford-upon-Avon studies, _v8 _938648 |
|
| 504 | _aIncludes bibliographies. | ||
| 505 | 0 | _aThe last tragic heroes, by G. K. Hunter.--The ethic of the imagination: love and art in Antony and Cleopatra, by R. Ornstein.--Shakespeare and romance, by S. Wells.--Word and picture in the final plays, by F. Berry.--Laughter in the last plays, by J. R. Brown.--The staging of the last plays, by D. Seltzer.--Coriolanus: Shakespeare's tragedy in rehearsal and performance, by G. Wickham.--The tempest: conventions of art and empire, by P. Brockbank.--'What's past is prologue': Cymbeline and Henry VIII, by B. Harris.--Shakespeare and the new dramatists of the King's Men, 1606-1613, by R. Proudfoot. | |
| 600 | 1 | 0 |
_aShakespeare, William, _d1564-1616 _xCriticism and interpretation. _961091 |
| 852 | _y12-23-1997 | ||
| 907 |
_a8622 _b08-06-10 _c08-06-10 |
||
| 942 |
_cBOOK _00 |
||
| 998 |
_aaudmc _b12-23-97 _cm _da _e- _feng _genk _h0 |
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| 945 |
_g0 _i21771 _j0 _laudmc _nCopy Type:01 - Books _o- _p0.00 _q- _r- _s- _t1 _u0 _v0 _w0 _x0 _yi10124664 _z08-06-10 |
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| 999 |
_c8622 _d8622 |
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